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・ Guglielmo Borremans
・ Guglielmo Bossi
・ Guglielmo Botti
・ Guglielmo Brezzi
・ Guglielmo Burelli
・ Guglielmo Caccia
・ Guglielmo Capodoro
・ Guglielmo Cavallo
・ Guglielmo Ciardi
・ Guglielmo coffee
・ Guglielmo da Forli
・ Guglielmo da Leoni
・ Guglielmo da Marsiglia
・ Guglielmo de Sanctis
・ Guglielmo Del Bimbo
Guglielmo Della Porta
・ Guglielmo della Porta
・ Guglielmo della Scala
・ Guglielmo Ebreo da Pesaro
・ Guglielmo Embriaco
・ Guglielmo Epifani
・ Guglielmo Ferrero
・ Guglielmo Fieschi
・ Guglielmo Fornagiari
・ Guglielmo Franchetti
・ Guglielmo Gabetto
・ Guglielmo Gasparrini
・ Guglielmo Giusti
・ Guglielmo Gonzaga, Duke of Mantua
・ Guglielmo Gratarolo


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Guglielmo Della Porta : ウィキペディア英語版
Guglielmo Della Porta

Guglielmo Della Porta (Porlezza, 1515 - Rome, 1577) was an Italian sculptor.
==Biography==

Son of the sculptor Cristoforo and Caterina, began his artistic training under the guidance of his uncle Giovanni Giacomo, who takes him on his construction site of the Cathedral of Milan and assigned him the task of sculpturing and reinterpreting the works of Leonardo da Vinci〔In the study of Maria Gibellino Krasceninnicowa we learn that the drawings and writings of Guglielmo are collected in two volumes in gold parchment with the words: "Opera di F. G. Della Porta", author of the collection is Giuseppe Ghezzi, a relative of Della Porta. The drawings show his complex personality, showing us the pictorial side of his art, and in them we feel the breath of classical Roman sculpture. Ghezzi was in possession of the important code of Leonardo: the manuscript'' the nature, weight and motion of water'' then said "Codex Hammer" from the name of the financier who bought it. Of this code, owned by Guglielmo at Leonardo's death, the traces were lost and reappeared when the Ghezzi in 1717 decided to sell it to a rich Englishman, Thomas Coke, 1st Earl of Leicester, whose heirs sold it to financier Armand Hammer for more than five million dollars〕 until about 1530.
Later he moved with his uncle in Genoa where he perfected his design under the guidance of the painter Perin del Vaga in the works for Villa del Principe, Palazzo di Andrea Doria.

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